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Textual vs. Oral Composition

11/1/2022

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10/3/22
Scholarly Reflections

Kelber, Werner H. "The Case of the Gospels: Memory's Desire and the Limits of Historical Criticism." Oral Tradition 17/1 (2002): 55-86.

Kelber notes that studies of memory processing have been a subject of renewed interest in recent years (Kelber 2002, 55). Kelber briefly discusses a 1966 survey by Frances Yates, as well as a 1990 work by Mary Carruthers and a 1992 study by Janet Coleman. In essence, their conclusions say people in oral cultures have a relatively concrete and tactile way of preserving memories accurately (Kelber 2002, 56). Further, social memory may be a conbination of social identity and selected reconstructions of memory, creating a particular group identity. The selective process may well result in traditions which are created from elements in the past but which do not describe an actual past situation (Kelber 2002, 57). Kelber applies this concept to the Gospel accounts to suggest it may explain differences among the various narratives.

Because orality is carried on in the context of a speaker and an audience, there is considerable pressure on the speaker to conform to the expectations of the audience. This is not necessarily the case in scribality, which may feel free tor e-shape ideas an audience would hold (Kelber 2002, 57). Kelber sees this as especially likely to happen "in times of radical change and disaster, when prevailing paradigms have lost all persuasive powers" (Kelber 2002, 58). This suggests to Kelber that the New Testament documents did not necessarily derive entirely from other, pre-existing documents and concepts, but may have some elemtns of creative reconstruction of memories. The sudies of orality which suggest this process have not had a great influence on New Testament scholarshiop (Kelber 2002, 59).

The work of Birger Gerhardsson (Memory and Manuscript, 1961) takes memorization in both Christian and Jewish tradition from 70 AD through the fifth century to be relatively mechanical, based on repetition (Kelber 2002, 59). This led to a strongly static tradition. Interpretation was not typically incorporated into accounts. Kelber notes, however, that rabbinic tradition often contains glosses and alternative accounts, which suggest flexibility in transmission (Kelber 2002, 60). Kelber goes on to consider the differences between "cold" and "hot" memory - that memorized and that reconstructed. A survey of the sayings of Jesus in the gospels could well help us understand how the memorial process occurred (Kelber 2002, 62). While Bultmann examined elements of oral tradition in The History of the Synoptic Tradition (1921), research has not progressed significantly beyond his arguments (Kelber 2002, 63). Kelber briefly reviews the analytical method used by Bultmann, the n describes his weaknesses in detail.

Kelber views biblical scholarship to have endured a decline in the last 250 years primarily related to a departure from its emphasis on the nature of narrative (Kelber 2002, 67). This has resulted in an inability of scholars to focus on the intrinsic logic of and interaction between various documents. The assumption of the interpreter about what must make sense ultimately is allowed to govern the interpretation (Kelber 2002, 69).

One of the challenges Kelber finds in the field of biblical studies is related to textuality, or, more specifically, the limits of tupography (Kelber 2002, 70). The standardization of print may lead to a focus on one literal meaning of a text, devoid of nuance, color, or emphasis. Kelber illustrates his meaning by describing the Two-Source Hypothesis, which assumes the sympotics depended on two different documents (Kelber 2002, 71). Kelber further raises the question of the validity of Gospel parallels, which harmonize the gospel accounts (Kelber 2002, 72). 

Since the 1960s, Kelber finds that scholarship has begun to discover separate "literary identities" for the four gospels (Kelber 2002, 74). The authors have an intent, and it is not solely the preservation of tradition. The narrative owrld of the particular evangelist defines the character, events, and purposes (Kelber 2002, 75). Kelber goes on to describe the way eschatology is dealt with in the different gospels. 

Kelber notes that the inclusion of different elements in the gospels is deliberate, as is the exclusion of some elements. Though the reason is not always clear, there is certainly a reason (Kelber 2002, 77). Kelber considers this to be indicative of the "cultural nature" of each writer, not an inadequacy in transmitting memories (Kelber 2002, 79). The collections of details can be seen as focused on the present need, rather than being predominantly focused on recording events of the past. Some details are selected for memory and some for forgetting (Kelber 2002, 80). 

​
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The Point of a Written Text

8/25/2021

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8/25/21
Tour of Christian History

Kelber, Werner H. "The Case of the Gospels: Memory's Desire and the Limits of Historical Criticism." Oral Tradition 17:1 (2002), 55-86.

Kelber observes that study of memory and mnemonic devices have sparked a renewal of scholarly interest in recent years, particularly spurred on by the work of Frances Yates (1966), who "surveyed the ancient and medieval art of mnemotechnique - ranging from memory as a set of waxed tablets to an architectural design functioning as storehouse or inventory - and produced in effect a handbook on ancient Western memorial commonplaces" (Kelber 2002, 55). Yates' work has led Mary Carruthers (Book of Memory 1990)  to see late antiquity as "predominantly a memorial culture rather than a purely documentary, textual one" (Kelber 2002, 56). Of interest to Kelber is the concept of recollection which is geared toward gathering and preserving information which confirms a particular community identity. In Kelber's view, this is a selective and sometimes inventive, process. "The memory work of the group consists in constructing a new image from elements it retrieves from the past" (Kelber 2002, 57). Kelber suggests that a written record can distance itself further from a community and the expectations of hearers. This could potentially allow writers to reshape the audience's understanding of the past to a greater extent than would speakers. The written gospels, therefore, could possibly be more creative of past events than would be predicted of oral works (Kelber 2002, 58).

Kelber observes that biblical scholarship has not been heavily influenced by these recently postulated views of the scribal development of traditions. Rather, it has been influenced greatly by Birger Gerhardsson, particularly in his work Memory and Manuscript (1961). Here, Christian tradition operates through memorization of events in a relatively mechanical manner, through repetition of authoritative accounts (Kelber 2002, 59). This would preserve the narrative in a relatively static form. Kelber does, however, note that there is scholarly hesitancy about backdating later known rabbinic practices into the first century (Kelber 2002, 60).

Kelber does illustrate some of the challenges of tradition by citing the concept of the apostles as eyewitnesses of Jesus' work, a concept he sees as being developed after the fact (Kelber 2002, 61). The tradition, which he sees emerging between 80 and 200, would be used to legitimize the New Testament accounts. The fact that the Gospels contain relatively esoteric teachings which are said to be presented to the Twelve apart from the crowds suggests to Kelber a similarity to the Nag Hammadi gospels and a particular genre shift within the canonical Gospels (Kelber 2002, 62). Kelber considers that the New Testament scholarship has been slow to consider the possible distinct functions of memory versus manuscript.

In this relation, Kelber adduces Rudolf Bultmann's The History of the Synoptic Tradition (1921), in which Bultmann took the textual tradition to have been preceeded by extensive oral tradition, which led to a transcription which reflected developments in the tradition when compared to the actual events (Kelber 2002, 63). Bultmann's method, though intellectually and logically consistent, strikes Kelber as not reflecting the actual way content develops in orality or in writing (Kelber 2002, 64). Kelber provides several ways in which Bultmann departs from current understandings of orality.

Another important "analysis of dominical sayings" is John D. Crossan's In Fragments (1983) (Kelber 2002, 65). His analysis covers statements from Mark and Q, along with Matthean and Lukan parallels, for a total of 113 statements (Kelber 2002, 66). In 1986 he released a volume (Sayings Parallels) dealing with 503 statements. The extent of the variations among different sources is striking. Kelber concludes that the written sources act freely with materials, where oral tradition would be less likely to do so (Kelber 2002, 66).

Kelber considers yet another area of weakness in Gospel scholarship, namely, what he refers to as "the eclipse of Gospel narrativity" (Kelber 2002, 67). He describes this as a loss of understanding of the overall narrative structure and logic of the canonical Gospels, in favor of the referents contained in the pieces of narrative. The Gospel as a coherent narrative was considered as unimportant. The thing signified became more important than the overarching narrative concept. Kelber describes this development in terms of Derrida and postmodern deconstruction (Kelber 2002, 68). The movement ultimately looked for a meaning behind the narrative, which, when found, could be in contradiction to the narrative.

Kelber next considers the contribution of a focus on text, essentially on typography, to scholarly challenges (Kelber 2002, 70). Kelber suggests that a focus on the printed word as a rigidly fixed entity may lead to types of scholarship and interpretation which would be foreign to the ancient world. He illustrates this by describing the "Two-Source Hypothesis" in which Mark and the hypothetical Q document served as the sources for Matthew and Luke (Kelber 2002, 71). The outcome of such scholarship is that particularly Matthew and Luke are taken to be entirely dependent on specific wording found elsewhere. Another illustration of the problem is found in the construction of Gospel parallels, in which the four gospels are harmonized with one another. This practice suggests that the actual Gospel narratives are defective and need to be collated so as to achieve their intended purpose (Kelber 2002, 72).

As a possible corrective to the weaknesses Kelber has identified in Gospel scholarship, he notes a movement in the late 20th century to recover a distinct literary identity for each of the evangelists (Kelber 2002, 74). Each one has a distinct narrative voice. This realization breaks down Bultmann's view that the Gospels emerged from some meta-tradition. Source theories in general become less useful (Kelber 2002, 75). Theological ideas become the servant, rather than the master, of the narrative, by arising naturally from the narrative context rather than forcing the narrative to conform. Kelber illustrates the concept by describing how eschatology in Mark's Gospel is addressed based on an overall narrative of expansion of time and details of events as the text approaches the critical eschatological event of Jesus' death and resurrection.

The individual voices of the Gospels speak to issues which are relevant to the context of their original, local audiences (Kelber 2002, 77). These subtexts are significant to our attempts at interpretation. Kelber details several of the subtexts which are in operation, showing how each evangelist has a unique voice.

Kelber's conclusion is that the Gospels reflect a great deal of the way their authors selected and remembered events (Kelber 2002, 79). The written documents emerged from memory of events, but that memory would also have operated to place the events into some context, one which made overall sense. This effect can explain a great deal about the nature of the four distinct narratives and their voices (Kelber 2002, 80).

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